This is a film about buttons (the ones in clothing) that play soccer. Soccer with buttons? Yes, but the buttons don’t move on their own; they are moved by Rómulo Berruti and Alfredo Serra, veteran journalists, long-time friends, eminent conversationalists who are fans of soccer-playing buttons

When a bourgeois couple needs to park their expensive car in an Arab neighbourhood, an inevitable misunderstanding with the locals turns into paralyzing panic.

A family obsessed with their recent acquisition of a huge color television, postpones the health of one of their daughters. While they worry about locating the device in their tiny home, the daughter's condition worsens and the attention of her illness is delayed until the end of the TV payment.

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William Reardon, a steel magnate, dies and leaves a strange will. When his spineless and dandified heir and son returns home from living in Paris, he finds "Tons' Walker, a strong and burly steel worker running the company, per his late-father's will request. He also finds that his father's will specifies the Junior will change his name to Bill Hall and work in the family steel mill for a year under the fake name. Walker's job is to make a man out of the son. The son is not overjoyed by this prospect. Neither is Walker.

A man avoids a ghostly apparition that follows him throughout his life.

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Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.